Eigenfunction
of the sound the combination of
vowel and consonant in the musical force-fields
Universal synthesis of the sound the combination of vowel and consonant
in the musical process of creating 7.3.6.14.00
• in the musical harmony-space
• in the musical sequence-space
• in the musical motif-space
• in the musical tone-space
• in the acoustic space
SEMINAR
7.3.6.14.01
Eigenfunction of the sound the combination of vowel and consonant
at the transition from the force-field of our self-awareness to the force-field
of our intellect
7.3.6.14.02
Eigenfunction of the sound the combination of vowel and consonant
at the transition from the force-field of our intellect to the force-field
of the musical harmony-space
7.3.6.14.03
Eigenfunction of the sound the combination of vowel and consonant
at the transition from the force-field of the musical harmony-space
to the force-field of our feeling
7.3.6.14.04
Eigenfunction of the sound the combination of vowel and consonant
at the transition from the force-field of our feeling to the force-field
of the musical sequence-space
7.3.6.14.05
Eigenfunction of the sound the combination of vowel and consonant
at the transition from the force-field of the musical sequence-space
to the force-field of our understanding
7.3.6.14.06
Eigenfunction of the sound the combination of vowel and consonant
at the transition from the force-field of our understanding to the force-field
of the musical motif-space
7.3.6.14.07
Eigenfunction of the sound the combination of vowel and consonant
at the transition from the force-field of the musical motif-space to the
force-field of our hearing
7.3.6.14.08
Eigenfunction of the sound the combination of vowel and consonant
at the transition from the force-field of our hearing to the force-field
of the musical sound-space
7.3.6.14.09
Eigenfunction of the sound the combination of vowel and consonant
at the transition from the force-field of the musical sound-space to the
field
of our inner voice
7.3.6.14.10
Eigenfunction of the sound the combination of vowel and consonant
at the transition from the field of our innenfunction of the voiced consonant
at the transition from the force-field of the musical sequence-space
to the force-field of our understanding
Reference work:
Peter Huebner Study of Music Study of the inner Forces of Man
© AAR EDITION INTERNATIONAL 1986